38 Hz - 25 kHz
Active 2-way midfield studio monitor
Compact monitor with an extra-large Air Motion Transformer
The most important features at a glance
Frequency range
Woofer size
Max. SPL
The SC2070
The SC2070 combines the eminent technologies of the SC3070 and the TEC Award-winning SC4070 in a compact 2-way system. The brand-new Air Motion Transformer RS7 represents a new level of innovation. RS7 has been specifically developed for SC2070 to achieve a crossover frequency at 1800Hz that is astonishingly low for a 2-way monitor. The diaphragm area is 1.5 times larger than that of the tweeter's membrane used in SC207. High and upper midrange frequencies are reproduced with unparalleled precision and resolution, revealing smallest nuances.
Even if the focus is on the sound - our monitors offer a holistic solution that is well thought out from A to Z
Simply set and save filters & volume.
For precise bass reproduction without background noise.
For precise bass reproduction without background noise.
Your settings are saved (even without power).
A slow volume increase when switching on protects ears and equipment.
Engineered to the detail
An optimised, low-resonance enclosure with a reinforced front baffle houses the Air Motion Transformer RS7 and a 6.5" SilverCone woofer, as well as the amplifier unit with a total output power of 250W. Intelligent protection mechanisms prevent the drivers from overload. The bevelled cabinet edges reduce sound diffractions.
All adjustments can be made via the SMART-knob, which is a trademark of all EVE Audio studio monitors. Thus, a variety of improvements to the respective room situations can be made in the easiest way possible from the front of the studio monitor. On the strength of the combination of these technologies, the SC2070 offers unmatched performance for its compact size with maximum impulse fidelity.
Tech Talk
The Air Motion Transformer RS7, specially developed for SC2070, is the largest AMT used in a 2-way monitor. The diaphragm area is 1.5 times larger than that of AMT RS1, RS2, RS3 and RS3.1 used in our other models and almost as large as in AMT RS6, which is employed exclusively in our main monitors SC3010 and SC3012. With great precision and detail, the RS7 reproduces silky smooth top end down to upper midrange frequencies. With a crossover frequency set to deep 1800Hz, the midrange imaging is assured at levels like those normally found in 3-way systems.
The 6.5" SilverCone woofer is driven by an advanced, low distortion copper cap magnet system with a 1.5" voice coil. The combination of very light and extremely stiff honeycomb cone material enables this woofer to provide a solid base with low distortion and precise and dynamic bass.
Two high-quality Class D amplifiers complete the system and provide enough output power to meet the demands of modern music production. The maximum input level can be adjusted between 7dBu and 22dBu to ensure the best possible A/D converter resolution.
Our tweeters base on the ribbon tweeter technology. We reinvented our own version of the AMT which our speakers are well known for.
Understanding the Air Motion Transformer
The Air Motion Transformer (AMT) is a unique driver technology, distinct from other audio drivers. It utilizes a lightweight, hand-folded diaphragm that is thinly coated with aluminum. The current of the music signal flows through these conductive strands.
The diaphragm is placed in a powerful magnetic field leading to movement in the folds caused by the Lorenz force. Due to the opposing direction of the current the walls of each single fold work against each other. The air between the folds is squeezed in and out at a ratio of 1:4, compared to the 1:1 ratio of a regular dome tweeter.
This results in higher resolution and dynamics in the tweeter section, along with a very low distortion level, allowing superior sound quality with enhanced detail and clarity.
Press and hold the control three seconds in order to put the monitor in Standby mode. The volume will decrease gradually while the LED ring lights up once around the Volume control. Afterwards, the LED on the right end will remain dimly lit and the power consumption is reduced to 1 watt.
The volume can be adjusted by turning the knob. Depending on the LED mode selected, the volume will be displayed as a dim/ bright circle or as a dim/bright point.
To put the monitor in Mute Mode, turn the Volume control counter
clockwise until you reach the minimum level. When the LED on the left
end lights up dimly the Mute Mode is activated.
Press the SMART-knob once to enter the Settings menu. Here you can set
different filters as well as the LED ring’s behavior. The LED
of the currently active function blinks. Click the different filters above to find out more about them!
The High-Shelf Filter helps you adjust frequencies above 3kHz in 0.5dB increments. You may need it in the following situations:
Distance from Speakers: High frequencies weaken as you move further from the speakers. If you sit far from the speakers, boost the high frequencies. If you're close, like in a desktop setup (about 1 meter or 3 feet away), you might need to reduce the high frequencies.
Room Acoustics: In a room with few reflective surfaces ("dead room"), boosting high frequencies can create a more balanced sound. Conversely, in a room with many reflective surfaces, reducing the high frequencies is advisable.
Adjust the High Filter accordingly and achieve the best sound quality based on your listening position.
The Mid Filter is a bell filter centered at 1kHz. It allows you to boost or cut the midrange by up to +/-3dB in 0.5dB increments. Here's what you should consider:
Frequency Balance: The midrange is crucial for balancing lower and higher mid frequencies. Use the Mid Filter to fine-tune the balance between the fundamental and harmonic frequencies in your music.
Room Acoustics: The acoustics of your room can affect how midrange frequencies are perceived. Sound energy from the monitors may reflect off surfaces like walls, floors, and ceilings, altering the sound. Adjust the Mid Filter to compensate for these reflections and achieve a balanced sound.
The Mid filter is available on SC2070, SC3070, SC4070, SC3010 and SC3012.
The desk filter allows you to boost or cut you low-mid frequencies in 0.5dB increments:
Narrow-Band EQ: Depending on the model the filter is centered between 160 and 200Hz. When turned down, it reduces the low-mid boost often caused by reflections from mixers and similar surfaces. Decrease the filter gain to lessen this effect.
EQ at 80Hz: When turned up, it enhances the lower frequencies, giving more punch to the sound.
The Low-Shelf Filter allows you to boost or attenuate frequencies below 300Hz in 0.5dB steps. Here's when to use it:
Attenuating Low Frequencies: If your room's acoustics cause a boost in low frequencies (due to room modes or speakers being close to walls), you can reduce them with the Low-Shelf Filter.
Boosting Low Frequencies: If the low frequencies are too weak, you can enhance them to achieve a balanced frequency response.
Adjust the Low-Shelf Filter accordingly to address any issues in the low frequency range caused by your room's acoustics.
The LED Mode determines how the LED ring displays the volume level. There are four available modes:
Bright Ring: All LEDs up to the selected volume level light up brightly. As the signal gets louder, he brightly lit ring extends.
Bright Point: Only the LED corresponding to the selected volume level lights up brightly. As the signal gets louder, the brightly lit point moves further up.
Dim Ring: All LEDs up to the selected volume level light up dimly. As the signal gets louder, the dimly lit ring extends. The LEDs light up brightly momentarily when you adjust the volume.
Dim Point: Only the LED corresponding to the selected volume level lights up dimly. As the signal gets louder, the dimly lit point moves further up.
In all modes, the LEDs indicate volume levels, adjusting in four steps. Intermediate steps are shown by the brightness level between two adjacent LEDs.
All facts and figures in detail
Width x Hight x Depth in mm
-3 dB at 1 m distance
Max. SPL per pair
Output power per speaker
Diameter
Diameter
Cross-over between drivers
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