|TRADE SHOWS||Date||Location||Booth No.|
|Musikmesse||15.04 - 18.04.2015||Frankfurt - Germany||Stand 5.1 B57|
|NAMM Show||22.01 - 25.01.2015||Anaheim - USA||Room 208B|
|Tonmeistertagung||20.11 - 23.11.2014||Cologne - Germany||Showroom K & stand B-07|
|Inter BEE||19.11 - 21.11.2014||Tokyo - Japan||Hall 1, stand 1411|
|SAE Alumni Convention||23.10 - 24.10.2014||Berlin - Germany||Studio 2|
|137th AES Convention||09.10 - 12.10.2014||Los Angeles - USA||Booth 1119|
|Music China||08.10 - 11.10.2014||Shanghai - China||Booth E4E52|
|Music Austria||02.10 - 05.10.2014||Ried - Austria||Hall 15, stand 15001|
Pro Audio Dealer Red Dog Music in Clapham Common, London, UK has been busy supplying some of the hottest dance producers in London with EVE's over the summer. Notably, Producer Chevy One has invested in EVE's 4 Way systems, the SC407's.
Chevy One is a Spanish DJ & Producer at the forefront of London's house, Tech-funk, and electronic dance music scene. Signed to Tech-funk Label Lot49 Records since 2009, Chevy One has achieved chart success with a number of remixes and compilations including a remix of Pharrell Williams "A.D.D.S.U.V" with Uffie, which was chosen as the winning entry in a competition by Pharrell Williams. Chevy One also generates a sizable amount of work offering "Ghost Writing" services to well known international DJ's. You have probably heard Chevy One's music more than you think, with his own or collaborated tracks being played across the London dance stations and Radio One.
"After rebuilding my studio the sense of bass disappeared from my previous monitors. I am not a big fan of subs so I wasn't considering one. Oh boy! After choosing the EVE SC407's and setting them up in my room, it was roaring a warm solid bass that hooked me in seconds. I was very paranoid about ribbon tweeters but once again the EVEs have nailed it. The 407s have the most pleasant yet highly detailed frequency in the high and mid range I could possibly ever need, comp it with dual, yes that's right dual bass drivers, and I think I have found my perfect monitors" comments Chevy One.
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Łukasz and Adam Sztaba are both highly regarded names in Polish music business.
Adam Sztaba works as composer, music producer, conductor, arranger and pianist. He collaborated with many Polish and international stars such as Quincy Jones, Sting, Chris Botti, Michael Bolton, José Carreras, Kenny G., NDR Bigband, Lutricia McNeal, Dita von Teese, Helena Vondráčková, Karel Gott, Drupi, Edyta Gorniak, Kayah, Ania Dabrowska, Sinfonia Varsovia, Polish Radio Symphony Orchestra. In 2005, he founded the Adam Sztaba Orchestra. He was the musical director, arranger and conductor of many well-known television programs like "Idol", SOPOT FESTIVAL 2005 and 2006, "Dancing With the Stars". In December 2010, he performed with Sting conducting the Polish Radio Symphony Orchestra at a concert to celebrate the 85th anniversary of the Polish Radio.
is a Polish pianist, composer, arranger, sound designer, music producer and Musical director of Forevel. He is keyboard player he plays in Adam Sztaba Orchestra where he had the opportunity to work with many Polish and international stars. In his career, he has been involved into many musical projects for public and private Polish TV and advertising agencies.
Both looked to modernizing their individual studios, where Adam and Łukasz compose, record and mix for their numerous projects. They also decided to replace the existing monitor systems.
Having tested many systems from some of the most valued manufacturers, their attention was drawn to EVE AUDIO monitors. The first model to be tried out was the SC207 with the TS108 sub, which Adam and Łukasz praised for their performance. However, after they had heard the SC307, there was no doubt which of the brands and models tested was the winner. EVE AUDIO SC307 offered the best sound space, depth and perfect control, also in low frequencies, even without a sub.
Łukasz: "EVE AUDIO SC307 captivated me. Stereo image, precision, quality sound and comfort for my ears are something I was looking for since long."
Adam: "When listening to the symphonic recordings on EVE Audio SC307 speakers I feel as if I'm standing on the conductor podium among the musicians playing. Naturalness, spaciousness and saturation of sound are most important to me. And I found it here."
A number of Audiotech dealers have received complete EVE Audio stock and look forward to demoing the range to you. For any local information or guidance please call Audiotech at +48 22 648 29 35 or visit www.audiotech.pl.
Please read some passages of that review below:
"Initial impressions were of a very detailed and informative midrange, with a smooth and refined treble that was perfectly balanced against the mids."
"As my listening progressed it became abundantly clear that this is a genuinely revealing monitor with superb mid-range clarity and precise tonal accuracy, as demonstrated by the extremely natural sound of spoken voices."
"Stereo imaging is also to very high standards, with wide and deep sound stages on appropriate material, and a very believable sense of depth and perspective."
"There is no doubt that the SC408 is an impressive midfield monitor, and in a large and well-treated room it will deliver a genuinely full-range sound picture with excellent clarity and definition, and superb stereo images."
The review in full length is available in Sound On Sound's August 2014 issue or here.
Many thanks to Sound On Sound for allowing us to use this article.
SC408 and all other EVE Audio 2way, 3way and 4way monitors are available in several countries around the globe – please check back with your local distributor to find your nearest dealer to listen to EVE monitors.
Further information and details about EVE Audios entire range of monitors are available in the individual product descriptions or in our user manuals.
Producer and professional bassist Troy Antunes has invested in a pair of EVE Audio
SC407's for his studio in Muswell Hill, north London.
Troy was looking at replacements for his D.A.S passive monitors, and after listening to a number of options, decided on the EVE SC407 active monitors.
Troy's studio control room is around 3m wide by 5m long and treated with a 'live end/dead end' design using heavy absorption at the console end of the studio and diffusion panels at the other end to break up the sound field on the early incidental reflections. There is also a slanted drop down ceiling baffle to break up ceiling to floor standing waves. The studio has an unimposing character with some carefully evaluated treatment used throughout. The EVE's were placed in a portrait position using the adjustable tweeter/mid-range plate on the SC407's. The positioning and speakers size were ideal for the studio, with enough power to fill the room at louder levels without overdriving the system.
"It didn't take me long to get my ears onto them," said Troy, "probably because I am used to the room as well, but as soon as I realised – OK, so this is how the EVE's work, I get it, and then it was off to the races". Troy continued "I was listening back to my old mixes, and I'm like hold on where did the mid's go?! I could hear stuff in the mix that I forgot I even had in there." Troy went on to say "I recently had to learn some bass parts for an upcoming session and so I put my axe through the SC407's for the first time which was a real nice surprise. A lot of systems including my own that I have worked on, I would be – OK, so I need to back off a bit here, and this might need some shaping around, but the Eve's just took it".
In the studio we noticed Troy's open session and asked what he was working on. "The last few days I have been doing a lot of vocal editing," explained Troy "so the EVE's have been running pretty quiet. The great thing is that what you hear at low levels is exactly what you hear at louder levels which works for me as you don't need to be blasting it out all the time. Of course when you're playing back to the clients you need the punch to hit you in the chest which the 407's deliver. Everything's tight man!" concluded Troy, smiling happily...
We appreciate Troy inviting our UK distributor Nova Distribution to pop down to take a picture
of the EVE's in his studio and get some feedback on how the monitors are working with him so
far. We couldn't help noticing a number of platinum discs around the studio with some very
nice album and live tour accolades, notably with Justin Timberlake so we asked what projects
Troy had been involved with.
Troy informed, "Justin and I met during NSync, I was with those guys since day one. Interestingly they were big in Germany before they made it in the US. My cousin Kevin Antunes and I were assigned musical director and assistant musical director for NSync and I played the bass. So we did the whole NSync thing for about 4 albums and then Justin wanted to do his solo thing. Justin asked Kev and I if we would like to join him on the Justifed tour and we were like "What are you crazy, this is like some of the dopest music we've heard" That was back in 2003 and so we spent the next 3 years touring the world with Justin alongside an amazing 13 piece live band. It was awesome, and we were blessed to be amongst such amazing musicians."
We asked Troy what he is doing here in the UK and what his next chapter holds in store. "At
the moment I'm doing a lot with my own label Funky Viva Productions. We are working with a
new RnB pop group NVS. It's going really well and we are just trying to get the album finished
and sent over to Carl Nappa for final mixdown. Things are definitely happening".
Listening back to the latest song from NVS, it is clear that Troy has definitely got to grips with the monitors and is making sure he gets every drop of energy out of the 407's. Sounding very phatt!
We wish Troy all the best with his Funky Viva Label and upcoming projects. Thanks for choosing the EVE's and sharing your good vibes on the SC407's with us.