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Versatile 4-way monitor for every professional music production environment – rotating mid/high section for both vertical and horizontal placement without sound compromise

If you are looking for a combination of quality precision and power for your main studio speakers, you can't go wrong with the SC407/SC408.

Both models feature a very powerful amplifier array. The larger woofers duplicate all frequencies up to a certain crossover frequency, the mid-range woofer picks up from there. This also means all our four-way speakers are symmetrical. They offer incredible bass reproduction, a very linear response, and plenty of power to shake up your main studio control room.

The grey plate in the middle of the speaker not only houses the midrange woofer and AMT tweeter, but it can also be rotated so that you can place your speaker vertically or horizontally.

SC407 – Chevy One's studio

Our SC407 is the smaller monitor in our range of four-way systems, but it's by no means small! Two 6.5" SilverCone woofers with a specially made 1.5" voice coil extend the bass frequency response down to 35Hz and work simultaneously up to 280Hz.

An extra developed 4" SilverCone midrange unit joins these high quality bass drivers that endows these speakers with a greater linear excursion and clear and accurate midranges. The bass and mid woofers in our SC407 feature our very low distortion copper cap magnet system. They combine our unique glass fibre coated diaphragms with stable honeycomb structure to deliver sound spectacularly detailed and clear.

Our proprietary AMT RS3 (Ribbon System 3) tweeter houses a bigger magnet system to deliver a higher output level with virtually no distortion, even at high output levels.

Each driver is provided with its own PWM amplifier for a total short-term output power of 600 W. With a maximum output level of 116dB (SPL @ 1 m) you'll definitely be able to judge your mixes precisely, whatever their intended output level is.

As the SC407 combines perfectly powerful bass with a very transparent mid-range and crystal clear high frequencies, it is predestined to be the perfect tool for mid-to-large size control rooms, where quality and consistent power output are the most important variables.

As with every other EVE Audio speaker, you get both balanced XLR inputs and unbalanced RCA inputs for greater convenience.

All EVE Audio monitors feature a high-resolution DSP electronics. A high-quality analog/digital converter from BurrBrown (24bit/192kHz) converts the analog input signal supplied via RCA or XLR. The DSP provides latency-free filtering while protecting tweeter and woofers against overload across the entire frequency range. When switched on, the volume of the monitor increases slowly to leave enough time to reduce the source volume if the input signal is too loud.

Adjustments to the acoustic environment can be made via the front rotary/pressure encoder, the SMART-knob with rotating LED ring. This knob allows the levelling of system volume as well as the adjustment of filters for room variables (low shelf, mid eq and high shelf filters). All settings are displayed on the LED ring, providing instant information about the selected values. The brightness of the LED ring can be adjusted for dark studios or video applications.

High-quality Class D amplifiers complete the system and deliver enough power to the demands of modern music production. Selected volume and/or filter settings can be independently fixed with DIP-switches that are positioned on the rear of the amplifier to prevent unauthorised or unintentional adjustments.

The rear-facing bass reflex channel is, as usual with EVE Audio, designed for low airflow noise and enhances the powerful and precise bass reproduction.

Low frequencies propagate omnidirectionally. The radiation of low frequencies is spherical and the wavelength very large. For this reason, the differences in the position of the bass reflex channels in relation to the wall are negligible.

For more information on our bass reflex port design, click here.

Free-field frequency response (1/6 oct.) Top = Horizontal configuration / Bottom = Vertical configuration
Red = 0° / Green = 30° horizontal off-axis

Distortion Orange = 2nd / Green = 3rd vs frequency response (red)

Polar pattern (1m) Top = Horizontal configuration / Bottom = Vertical configuration
Red = 200Hz / Green = 1kHz / Blue = 5kHz

Product SC407
Description Midfield/Main Monitor
Dimensions (WxHxD) [mm] 600 x 260 x 320
Dimensions (WxHxD) ["] 23.62 x 10.24 x 12.6
Free-field frequency range (-3dB) 35Hz - 21kHz
Tweeter AMT RS3
Midrange 100mm/4"
Mid-Woofer
Woofer 2 x 165mm/6.5"
Cross-over frequency 280Hz/3000Hz
Max SPL per pair 126dBspl
Number of amplifiers 4
Output power (woofers) 2 x 185W
Output power (mid-driver) 180W
Output power (tweeter) 50W
Protection limiter
Settings
Volume -inf. - +6dB
System volume (Satellite & Sub)
Subwoofer volume
High-shelf filter (-5dB - +3dB) > 3kHz
Mid EQ (-3dB - +3dB) 1kHz
Desk filter boost (0dB - +3dB) 80Hz
Desk filter cut (-5dB - 0dB) 160Hz
Position filter
Low-shelf filter (-5dB - +3dB) < 300Hz
LED brightness setting
Input select
Level-lock dip switch
Filter-lock dip switch
Woofer-change dip switch (L/R)
Input level dip switch +7dBu/+22dBu
Standby dip switch
Satellite filter dip switch
Phase inversion
Switchable Satellite filter
Variable Subwoofer filter
Remote control
Connectors
XLR in (impedance) (10k)
RCA in (impedance) (10k)
Digital optical in
USB in
RCA subwoofer out
XLR in left (impedance)
XLR in right (impedance)
XLR in LFE (impedance)
XLR out satellite left (impedance)
XLR out satellite right (impedance)
XLR out LFE (impedance)
Power consumption
Standby < 1W
Full output 300VA
Misc.
Backmounting thread inserts
Mic stand thread inserts
Weight [kg/lb.] 18 / 39.7
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Chevy One (UK) Cutfather (Denmark) Dallas Studios(Iceland) Chunga Studio (Italy) DJ Fopp (Italy) Florian Meindl (Germany) Goodluck (South Africa) High Tide Studios (Germany) JLMx Studio (Taiwan) Johnny Yim (Hong Kong) Knack Studios (India) Kung Fu Studios (Germany) Max Porcelli (Italy) Nobel Street Studios (Sweden) Piotr Semczuk (Poland) Randy Copus (USA) Red Loft Studio (Switzerland) Route94 (UK) Shake Down Studio (Australia) Troy Antunes (UK) University of Northampton (UK) WireWorld Studio (USA)

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